Behind the Designer: Rainer Daumiller
Few designers have embodied the connection between nature, material, and modernism as holistically as Rainer Daumiller. Best known for his sculptural, solid pine dining chairs and tables of the 1970s, Daumiller’s work stands apart for its organic presence, ergonomic sensibility, and unapologetic embrace of natural wood. His furniture is not just visually warm – it’s physically grounding, inviting touch, use, and longevity.
Born in Germany in 1939, Rainer Daumiller was influenced early on by both Scandinavian and Alpine traditions of furniture-making. After training in carpentry and design, he moved to Denmark – a natural home for his evolving aesthetic – and began a decades-long collaboration with the manufacturer Hirtshals Sawmill. It was here that he would develop the pieces that define his legacy: dining chairs and tables carved from solid pine, shaped with soft curves, and designed to feel like they grew – rather than were built – into their forms.
Daumiller’s most iconic design is undoubtedly the Daumiller Chair, produced in the 1970s and now widely considered a classic of European eco-modernism. With its rounded, sculptural armrests, thick circular seat, and tall backrest, the chair evokes a primitive form – yet feels entirely modern in its construction and comfort. The ergonomics are deceptively refined, and the simplicity of the joinery allows the natural grain of the wood to become a central visual element.
What sets Daumiller’s work apart is the integrity of its material logic. He believed in letting pine – a fast-growing, often-overlooked softwood – express its character. The knots, grain patterns, and occasional imperfections are not masked but celebrated. This makes each piece unique, rich in tone and texture, and beautifully aged over time. His designs were also ecologically prescient: locally sourced wood, minimal processing, and a focus on furniture that could last generations rather than seasons.
His tables and chairs were built to be functional, durable, and intuitive, ideal for homes that valued simple beauty over display. And while Daumiller never positioned himself as a radical, his commitment to honest materials and longevity placed him at the vanguard of sustainable design – long before it became a trend.
Today, his furniture is experiencing a quiet resurgence among collectors and designers seeking natural materials, earthy textures, and the kind of comfort that only timeworn pine can deliver. In both contemporary Nordic interiors and warmer organic-modern spaces, Daumiller’s pieces bring a unique calm – tactile, grounded, and human.
At Design Preowned, Rainer Daumiller’s work perfectly captures the values we champion. His chairs and tables are built for restoration: solid wood, time-honored joinery, and no synthetic veneers to conceal or compromise. We’ve restored numerous original Daumiller dining sets, and in every case, the work feels more like cooperation than intervention. Sanding, oiling, and resealing reveal what’s already there – form shaped by nature and human hands in equal measure.
Working on his pieces is also an act of storytelling. Each knot and grain swirl speaks to a specific tree, a specific place – reminding us that furniture can carry the memory of a forest. That it can be elegant without polish, refined without pretense.
For Edward Gubi and the Design Preowned team, Daumiller’s legacy is more relevant than ever. In a world of MDF and fast interiors, his work is a model of circular design in its purest form: low-waste, high-integrity, and made to age. He shows us that sustainability isn’t always about new materials or technology – sometimes, it’s about knowing when to let the wood speak.
As more people look to reconnect with natural textures, ethical sourcing, and emotional durability in the objects they live with, Rainer Daumiller’s work continues to offer a kind of design antidote: simple, strong, and slow. Built not for display, but for life.
At Design Preowned, we’re proud to bring his pieces back into circulation – to restore them, respect them, and return them to spaces where they can continue to live. Because great furniture isn’t meant to be replaced. It’s meant to weather, evolve, and stay.